Sparkling Water, 48x90 in Triptych, 2025, Acrylic and oil on canvas Sparkling Water is part of an ongoing exploration of space, memory, and the unseen structures that shape how we move through the world. I imagined it as a submerged stage—where gestures leave ripples, and gravity feels optional. There are traces of cities, plants, bubbles, hands, and bodies—nothing is solid, but everything is felt. The work doesn’t ask for explanation but attention and maybe recognition.
Sparkling Water (part)
Sparkling Water (part)
Sparkling Water (part)
Goat Chase, 60x48 in, 2024 , Oil and acrylic on canvas : This painting depicts a mesmerizing otherworldly landscape, and lives somewhere between a remembered myth and a forgotten future. The narrative of this painting is inspired by Philip K. Dick’s novel Do Androids Dream of Electric Sheep? (the basis for Blade Runner) used an “electric sheep” and a real goat as symbols of empathy and status in a post-apocalyptic world. Sheep and goats have been shorthand for questions about what is real, alive, or valuable. Goats work as symbols that reflects feelings.
Goat Chase (detail)
Study Session, 2024, 60x48 in, Oil, acrylic, glitter paper on canvas : This painting began as a pile of studio scraps: a doodle of a chair, a scribble that looked like socks, an arrow from an old street sign. It’s built from the quiet things we overlook.
Study Session (Detail)
A Rectangular Brain, 2023, 48x60 in, oil, acrylic, oil pastel on canvas. : I’ve been thinking about the shape of my mind. Not in a metaphorical way, but quite literally. Each day unfolds in rectangles—canvases I paint on, pages I flip through, screens I scroll, frames I watch. My hands reach for corners; my eyes settle into edges. Even my thoughts seem to conform, stacking neatly into grids of tasks, images, words. It’s as if my brain has been quietly reformatting itself, molded by the rectangles I feed it. Perhaps it no longer pulses like a tangled mass of neurons, but hums like a flat, glowing chip. Perhaps my brain is rectangular now—shaped by what it sees, what it touches, what it endlessly consumes.
An Enormous Breath Being Held, 60x96 in Diptych, 2025, Acrylic, oil, glitter, molding paste on canvas : This painting imagines an undersea consciousness, a liminal biome where emotions ripple like currents and creatures flicker between thoughts. Shapes echo early life—tentacles, cell splits, proto-spines. Words drift in: otherwise, remember, descend. It’s not memory or future. It’s the slow pulse of becoming.
An Enormous Breath Being Held (part)
An Enormous Breath Being Held (part)
Bikini Bottom 2024 20x48 in Triptych Acrylic and oil on canvas This painting unfolds like a dream remembered—half rooted in memory, half adrift in fantasy. At first glance, it offers a landscape, but not one you'd find on any map. The inspiration drifts in from Twenty Thousand Leagues Under the Sea, settings and visual elements: a world teeming with mystery.
Colorful Pit Acrylic on canvas 12” X 9” 2024