Sparkling Water, 48x90 in Triptych, 2025, Acrylic and oil on canvas
Sparkling Water (part)
Sparkling Water (part)
Sparkling Water (part)
Goat Chase, 60x48 in, 2024 , Oil and acrylic on canvas : This painting depicts a mesmerizing otherworldly landscape, blending influences from abstract expressionism, traditional Chinese landscape paintings, and the imaginative realms of science fiction, particularly inspired by the themes and visual elements of Do Androids Dream of Electric Sheep The composition invites viewers to explore a dreamlike fusion of organic forms and futuristic elements, evoking a sense of mystery and wonder.
Goat Chase (detail)
Study Session, 2024, 60x48 in, Oil, acrylic, glitter paper on canvas : This painting began as a pile of studio scraps: a doodle of a chair, a scribble that looked like socks, an arrow from an old street sign. I started stacking them like thoughts that never found a shelf. If it feels oddly familiar, that’s because it’s built from the quiet things we overlook—until they start talking back.
Study Session (Detail)
A Rectangular Brain, 2023, 48x60 in, oil, acrylic, oil pastel on canvas. : I’ve been thinking about the shape of my mind. Not in a metaphorical way, but quite literally. Each day unfolds in rectangles—canvases I paint on, pages I flip through, screens I scroll, frames I watch. My hands reach for corners; my eyes settle into edges. Even my thoughts seem to conform, stacking neatly into grids of tasks, images, words. It’s as if my brain has been quietly reformatting itself, molded by the rectangles I feed it. Perhaps it no longer pulses like a tangled mass of neurons, but hums like a flat, glowing chip. Perhaps my brain is rectangular now—shaped by what it sees, what it touches, what it endlessly consumes.
An Enormous Breath Being Held, 60x96 in Diptych, 2025, Acrylic, oil, glitter, molding paste on canvas : This painting imagines an undersea consciousness, a liminal biome where emotions ripple like currents and creatures flicker between thoughts. Shapes echo early life—tentacles, cell splits, proto-spines. Words drift in: otherwise, remember, descend. It’s not memory or future. It’s the slow pulse of becoming.
An Enormous Breath Being Held (part)
An Enormous Breath Being Held (part)
Bikini Bottom 2024 20x48 in Triptych Acrylic and oil on canvas This painting unfolds like a dream remembered—half rooted in memory, half adrift in fantasy. At first glance, it offers a landscape, but not one you'd find on any map. The inspiration drifts in from Twenty Thousand Leagues Under the Sea, settings and visual elements: a world teeming with mystery.
Colorful Pit Acrylic on canvas 12” X 9” 2024